The first misconception by anyone
who’s accustomed to making corsets from other periods is that Regency stays
should be shaped and fitted like a corset. Of course they should fit you,
and of course they should rest along your curves, but a Regency corset has
really nothing at all to do at all with shaping a woman’s body. It’s one of the
only style of corset in the long line of historical undergarments that is not
at all designed to change the shape of a woman’s body. A woman’s ‘natural form’
was the aim (except with a little levitation). It is designed to hug
the natural shape of her chest and torso. The Regency corset should wrap
tightly around the torso, it should be stiffened with some boning or cording to
keep it from crinkling up on you, and have good shoulder straps.
I say this often in posts about corsetry. The boning in your corset has absolutely
zilch to do with shaping or lifting. The only purpose of any type of boning or
cording is to keep the fabric of your stays or corset taught. Otherwise, without the boning, your fabric
would fold and crinkle up on itself when you move around. What gives you shape, and what creates
support is the *cut* of your corset. So it’s important to make that distinction
and not rely too much on boning to get you the results you want. It’s a
supporting role, not the star. The pattern and cut is the star.
Hopefully my drawings don't look too terrible. :) |
In all truth, the Regency
corset is designed purely for lift. That’s why there are so many styles of
Regency corset (see an overview of the styles of Regency stays and underpinnings here)—because shape from the empire-waistline down, is largely
irrelevant. Some women prefer long stays because they have a bit of a belly
they want to control, and granted, if you have rather large breasts, you’re
better off with a longer set of stays and a busk to divide and keep the center
top of your stays against your chest. Stays range from being no more than
seven or eight inches long (almost to the traditional bra-dimensions with
shorter straps) to hip-length. As long as your stays are doing what they were
designed to do, it doesn't matter how much length is added, how much boning you
stuff into the channels , how much cording or whatever else.
The NUMBER ONE thing you have
to know and remind yourself when making your stays is that the empire waistline
is KEY. You mess with that, you will have problems. Your garments are
designed to fit around this elevated waistline which runs directly under the
base of your bust, and if you are not getting the proper lift, or your gussets
are too low, your gown’s cut and placing will suffer.
There are three key points on
a Regency set of stays that you must always address when constructing from a
pattern or drafting your own; 1) a clear waistline, with the breasts
securely held aloft above it. 2) Well measured shoulder straps. The length of
your straps will determine where your waistline falls, remember that. If your
straps are too long, your stays will drop down below the chest-line and mess
with the fit of your gown. 3) The gussets—which are pretty important and should
be designed to cup and hold the lower hemisphere of your breasts.
Gussets are key. Some
people believe that with larger breasts, you should lengthen your gussets, which
means, deepen the cups, and place your breasts closer to where they naturally
rest, right in the middle of your waistline. Gussets can be somewhat
lengthened if you do it intelligently, and you cut an arc in the cup before you
cut the slits in for the gussets. The trick really is to WIDEN your cups
if you want to accommodate larger cup sizes. You should be building sideways,
not up or down. You are broadening the platter in which your bust should
lay, instead of deepening it.
There are a couple of ways of
giving that top binding of your cups the strength to cup the bosom. You can
install a drawstring along the front of your stays to bring the edges of your
‘platter’ in, or you can bind it tightly so that it pulls the fabric in by
itself. I’ve also seen some designs where the creator made cutouts for each
breast rather than gusset slits, and then make gathered/ruched half-cups to fit
into them wherein their bosom can nestle.
Now many women are concerned
about ‘spillage’. The rule of thumb is this, your gusset cups should not
cover much more than the lower half/hemisphere of your breasts. The nipple
should be just barely covered by the edge of your binding, or even
half-covered. The top half of your breasts should be pillowed in the
cups. What keeps them from falling out is the neckline of your
shift. The shift is an essential partner in the team that is your Regency
underpinnings, and it acts like the top half of your bra. You really
should not wear one without the other.
- Cut your gussets or cups to cup the lower half of your breasts, beginning above the empire waistline.
- Your straps should be short and should hold your stays in place Protect the high-regency waistline
- Use the shift’s drawstring neckline to retain the upper half of your breasts.
- Use a busked corset if your breasts require dividing, or they are large enough to push the whole construct forward with just boning.